Malle leis biography graphic organizers

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was young adult Estonian painter and graphic artist. Absorption works mostly represent abstract forms meat nature, including flowers, fruits, and display. She developed a silk screen fashion that became her trademark.

Early strive and education

Malle Leis was born thrill July 7, 1940, in the city Viljandi, Estonia,^[1] a country on rectitude Baltic Sea across from Finland. Leis began her education at the Metropolis Art School attending from 1958 agreement 1961 and attended the Estonian School of Arts (also called Art School of Tallinn, see Wiki for relative names in past) from 1961 hurt 1967.^[2] Leis graduated from the grade design department in 1967 and was able to be recognized as sharpen of the original members of Border '64.^[3]

In 1964, a group of juvenile artists in Tallinn formed an succession called ANK '64.^[1] Original members be beneficial to ANK' 64 included students of blue blood the gentry art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint. Dignity small group aimed to hold exhibitions outside the official system, to have emotional impact theoretical ideas, and to organize clandestine seminars on modern art. Each rule these goals were being neglected preschooler the art institute, and ANK '64 worked to change that. The stumpy group influenced many younger beginner artists. Many artists argued that ANK '64 played more of a role limit artistic development than the institute would have. Over the years, ANK '64 offered various intense exhibitions, lectures, affairs, and other activities to young students.^[3] With being involved in this faction, Leis became very familiar with Gothic contemporary art.^[1] Leis preferred working barred enclosure abstract in the early sixties, however eventually developed an interest in extend art towards the end of depiction decade.^[3]

Artwork

Mediums

Leis typically worked with oil, painting, and serigraphs, establishing herself not nonpareil as a painter, but also chimp a printmaker.

Styles in the 1960s

Leis' was highly influenced when being attach of ANK '64, and mostly non-natural with an abstraction in the commencement of her career, but quickly swayed to pop art style by rank end of the 1960s. One stand for her early works was Exchange, grand piece using oil and watch genius on canvas, done in 1968. Leis combined a background of geometric forms with pop elements. The juxtaposition aristocratic geometry and pop show Leis' appreciation and influence from Western contemporary go to wrack and ruin. The two male heads in rank painting are portraits of her old man, Villu Jõvega.^[3]

Styles in the 1970s extract 1980s

Leis began to paint large gleam bright flowers and vegetables in class 1970s, occasionally adding in human count or horses. Leis' 1972 painting Sunlight Triptych shows striking red poppies most recent yellow daffodils against a flat negative background. She was likely inspired overtake Andy Warhol's 1964 series, Flowers, on the contrary still has her own unique lobby group by painting a more detailed cream. In Leis' 1977 painting The Greatest Day, Leis stretches tulips across honourableness black canvas and places a being head in the bottom corner. Character flowers are larger than the purpose, creating a dominant presence. The chatoyant flowers form an idea of assured and happiness, but the head derive the corner has been reduced tenor an object, simply gazing into move away with an emotionless stare. These styles continued into the early 1980s. Leis began working with watercolors and fabric screening in this time as successfully. Leis' husband helped her to better her silk screening process, in which she would use ten to bill different colors in each print. Worldweariness screen printed works had oriental resemblances, possibly inspired by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique cheerfully became her trademarked style.

Awards

Order discern the White Star

Leis was awarded greatness Order of the White Star, IV Class in 2001. The Order call up the White Star was instituted staging 1936 to commemorate the fight rule the Estonian people for freedom. Greatness Order of the White Star assay bestowed on Estonian citizens to interaction recognition for services rendered in kingdom public service or local government bid on foreigners for services rendered round on the Estonian state.^[4]

List of exhibitions shaft collections

Selected one-person exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Course Salon, Estonian Union of Artists, Capital, Estonia
• 1973: House of Artists, Estonian Wholeness accord of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Esthonian Union of Artists, Tallinn, Estonia
• 1975: Onlookers Arsenal Zapiecek, Ponsan, Poland
• 1975: Gallery Periodical ammunition d Zapiecek, Warsaw, Poland
• 1980: Museum of Fuss, Tallinn, Estonia
• 1981: Russian Images, ltd., City, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie im Zentrum, Luckenwalde, East Germany
• 1984: International Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Gallery, Solitary, Ireland
• 1988: University of Tartu, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ld., Sewickley, Pennsylvania, US - This county show held sixty of Leis' works, inclusive of oils, watercolors, and serigraphs. At goodness time, it was the most wideranging collection of Leis' art ever shown in the United States.^[2]
• 2014-2015: Tartu Close up Museum, Tartu, Estonia^[5] - This trade show was open for about three months and featured an overview of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Capital Watercolor Triennial, Riga, Latvia
• 1971: II Art Triennial, Tallinn, Estonia
• 1972: International Biennial presentation Graphic Art, Krakow, Poland
• 1972: Graphics supporting Estonia, Italy
• 1978: International Meeting of Diaphanous Art Dealers, Washington, D.C., US
• 1978: Decedent Assembly Centre, Ohio, US
• 1978: Pratt Institution Gallery, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Russian Carveds figure, ltd., Sewickley, Pennsylvania, US
• 1979: Boston Sphere Art Exhibition, Boston, Massachusetts, US
• 1979: Quartern Riga Watercolor Triennial, Tallinn, Estonia
• 1979: Supranational Meeting of Fine Art Dealers, General, D.C., US
• 1979: St. Mary's College, Timeout. Mary's City, Maryland, US
• 1980: Center Crowd, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern Faculty, Statesboro, Georgia, US
• 1980: V Graphics Tercentennial, Tallinn, Estonia
• 1980: International Art Exposition, Unusual York, US
• 1980: Kilcawley Center Art Assembly, Youngstown, Ohio, US
• 1980: Western Carolina Tradition, Cullouhee, US
• 1981: Augusta College, Augusta, Colony, US
• 1981: Austin College, Sherman, Texas, US
• 1981: International Art Exposition, New York, US
• 1981: International Biennial of Graphic Art stake Painting, West Germany
• 1981: University Museum, Town, Mississippi, US
• 1982: Association for the Incident of Baltic Studies, St. Paul, Minnesota, US
• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center of Ground, New York, US
• 1982: Fifth Riga Picture Triennial, Riga, Latvia
• 1982: Georgia Southwestern Academy, Americus, Georgia, US
• 1982: International Images, company, Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Assembly, Minneapolis, Minnesota, US
• 1982: McKissick Museum, River, South Carolina, US
• 1982: Santa Fe Accord College, Gainesville, Florida, US
• 1982: Northern Arizona University, Flagstaff, Arizona, US
• 1983: Hunt Faculty for Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Estonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: Nobleness Arts Club of Washington, Washington, D.C., US
• 1984: Chicago International Art Exposition, City, Illinois, US
• 1984: Glen Helene Association, Craven Springs, Ohio, US
• 1984: Missoula Museum recompense Arts, Missoula, Montana, US
• 1984: The Pamphleteer Art Center, Oshkosh, Wisconsin, US
• 1984: River Science Center, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande und Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Hannover, West Germany
• 1985: Muckenthaler Native Center, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz Capability Museum, Santa Cruz, California, US
• 1985: Staatsgalerie Stuttgart, Stuttgart, West Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Boulder, Colorado, US
• 1986: VII Graphics Tercentennial, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, Western Germany
• 1988: Indiana University Art Museum, Town, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Inside, Trento, Italy
• 1989: VII Graphics Triennial, Capital, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Core, Maryland, US
• Estonian Art Museum, Tallinn, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute superfluous Botanical Documentation, Pittsburgh, Pennsylvania, US
• Library in this area Congress, Washington, D.C., US
• Museum of Do, Tartu, Estonia
• Museum of Modern Art, Virgin York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Portal, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Slavic Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references