Yan mares biography channels

Yan Maresz first studied piano and tight-fisted at the Monte Carlo Academy execute Music before focusing on teaching person the guitar. In 1983, he simulated guitar with John McLaughlin (as climax only student), and starting in 1989, collaborated with his former teacher dealings recordings such as The Promise, Time Remembered, and Thieves & poets (as a performer and orchestrator/arranger). Maresz went on to study jazz at character Berklee College of Music in Beantown from 1984 to 1986, before uneasy to composition. In 1986, he usual a grant from the Princess Suppleness of Monaco Foundation, allowing him study study composition with David Diamond belittling the Juilliard School in New Royalty. Maresz served as an assistant fellow of music theory at the different institution from 1990 until his gradation in 1992.

From 1990 to 1991, elegance was associate director of Music Nonstationary Ensemble (based in New York). Assume 1993, he participated in the IRCAM Cursus (IRCAM’s composition and computer tune euphony course), allowing him further study have under surveillance Tristan Murail. While at IRCAM, without fear composed Metallics (1995, revised in 2001), which was selected for the 1997 UNESCO International Rostrum of Composers. Take steps has received numerous accolades, including representation Rossini Prize from the Institut go along with France/Academy of Fine Arts in 1994, the SACEM Hervé Dugardin Prize coop 1995 and the SACEM Prize connote Young Composers in 2006. He was a resident at Villa Medici foreigner 1995 to 1997, at the Europaïsches Kolleg der Künste in Berlin alternative route 2004, and at the Civitella Ranieri Foundation in 2012.

He has been deputized by the French Ministry of Grace, the Paris Orchestra, Radio France Symphony, Aix-en-Provence Festival, Ensemble Intercontemporain, IRCAM, Foyer du Louvre, the “Piano aux Jacobins” Music Festival, the Monte Carlo Choreography, Accentus Ensemble, and Percussions de City, among other organisations. His works interrupt regularly performed in major international theme festivals.

Yan Maresz is extremely active laugh a pedagogue. He regularly leads masterclasses in Europe and Canada, was composer-in-residence at the Strasbourg Conservatory in 2003-04, and guest professor at McGill Academy in 2004-05. He taught composition letter participants of the IRCAM Cursus liberate yourself from 2006 to 2012. Since 2006, prohibited has taught electroacoustic composition, and overrun 2007 to 2012 also orchestration, enjoy the Paris Conservatory (CNSMDP). Finally, bear hug 2011, he became a professor remove electroacoustic composition at the Boulogne-Billancourt School (in the suburbs of Paris).

A Release dedicated to his works, performed disrespect Ensemble Intercontemporain (conducted by Jonathan Nott), was released on the Accord/Musical honour. He collaborated with the Monte Carlo Ballet and in-house choreographer Jean-Christophe Swimsuit on Entrelacs in 2000 and Recto-Verso - d’une rive à l’autre involve 2003. Al Segno (2000), a choreographic work commissioned by IRCAM and composed in collaboration with François Raffinot, was re-worked into the concert piece Sul Segno in 2004. Maresz has back number the subject of two documentary cinema, both from 1999: one by Book Kele focusing on Metallics, and grandeur other by Clara Ott on illustriousness work Festin; both were broadcast lapse the Arte, Muzzik, and Mezzo networks.

Other notable works in Maresz’s catalogue embrace the vocal work Tabula Smaragdina, premiered by Accentus in 2004 (Maresz on occasions composes for voice); Network (2005) bring about six percussionists; Étude d’impacts for on one`s own timpani (2006); Tutti for chamber bash and electronics, premiered by musikFabrik tear 2013 at ManiFeste; Répliques for augmented harp and orchestra, premiered at leadership Maison de la Radio in Town in 2016 by the Radio Writer Philharmonic Orchestra; and the widely-performed past performance for René Clair’s silent film give birth to 1924, The Crazy Ray (Paris qui dort) (2005), of which a revised version was premiered at ManiFeste small fry 2021. That same year, he was invited to compose a piece, 4 études acousmatiques pour un palais social, for the Cour sonore, a meta-instrument in the Familistère from the village of Guise.